http://pubpink.com/ en LBS v2.0.304 Fri, 10 Sep 2010 01:57:05 +0800 60 ]]> Thu, 02 Jul 2009 20:30:38 +0800
金字招牌“中央美术学院”，
从我踏入进来到跨步走出，
整十年。

过多的喜悦与伤感不想在这个主题下讲，
接下来主要谈学术。

我的毕业创作是两件作品构成的系列作品，
实事上应该说是一个系列作品计划中最初的两件作品。
它是一个开始，也可以算是某个终结，无所谓了。

以下开始。

<空洞>
电木，ABS, 喷涂
148 x 68 x 4 (CM)
2009

<The Empty>
Bakelite, ABS, Painting
148 x 68 x 4 (CM)
2009

]]> ]]> Fri, 29 Aug 2008 01:14:16 +0800
29日前往墨尔本，
同行6人参加本届在维多利亚大学主办的"DO IT"展览项目，
9日回，多拍照，有事请发E-mail
pink@vip.sina.com
。]]> ]]> Thu, 15 May 2008 21:10:44 +0800 Fostering creativity at work

HAW: What does being creative mean in the business context?

GORMLEY: I've no idea. I've absolutely no idea. All I know is they didn't teach me to run a business at art school. I seem to be running one, even though I'm very reluctant to admit it.

HAW: What is it that forces you to admit it to yourself?

GORMLEY: Oh, dealing ]]> ]]> Wed, 14 May 2008 23:53:47 +0800 Learning by doing

HAW: Your work requires a significant team to implement it. How is that team selected, and how does it work?

GORMLEY: I get people writing to me all the time saying can they come and do some work experience. That's one strain of how I get them. Otherwise, I take graduates, usually from the Royal College [of Art], who seem to be sensible and skilled.

HAW]]> ]]> Wed, 14 May 2008 11:56:04 +0800 Ideas and inspiration

HAW: This is a discussion about the resilience of creative ideas. Perhaps in business, people don't know whether they've had a creative idea, or if they've had a good idea, they don't know how robust it is, and how much they can work with it and adapt it.

GORMLEY: I think good ideas on the whole are pretty cheap. It's exactly that process of kicking ]]> ]]> Wed, 14 May 2008 00:03:11 +0800 Sculpture as physical thinking

HAW: There seems to be an almost relentless seriousness about your work, certainly in relation to some other contemporary British artists' work. I wonder if you feel this is a quality that's essential for a creative artist.

GORMLEY: This is German seriousness coming out, a problem for an artist.
I like the word 'relentless'! I hoe my own ]]> ]]> Mon, 12 May 2008 00:29:41 +0800 Authentic communication requires self exposure

HAW: How would you describe your personal value system, and how's that borne out in your subjects and the way you work?

GORMLEY: My personal value system has come through decimation of the cosmology I was born into, which was Catholicism, and my gradual abandonment of that idea of divine and temporal authority founded on ]]> ]]> Thu, 08 May 2008 00:50:37 +0800 Creative failure

HAW: Have you experienced creative failure?

GORMLEY: Yes I know that quite well. Making things that don't work. Very early on I had this idea of doing a retake on the birth of Eve and made a complete pig's ear of it. But out of that came Field [perhaps Gormley's best known work, a population of thousands of small terracotta figurines], eventually. There's ]]> ]]> Wed, 07 May 2008 11:33:41 +0800 The satisfaction of originating

HAW: You studied archaeology and anthropology and travelled, for a dozen years-a historical and geographical exploration. How did you become a sculptor through that?

GORMLEY: It's the combination of a fairly classical education and upbringing, and then an exposure to all sorts of other traditions, cosmologies, languages and lands. I'm ]]> ]]> Wed, 07 May 2008 00:17:15 +0800 Questioning assumptions

Hugh Aldersey-Williams: Do you regard yourself as a creative person?

Antony Gormley: That's like asking someone, are you an artist?
I think you have to prove that to yourself every day. It's not a given. When you ask, are you a creative person, sometimes I am, and sometimes I'm really pretty boring. There are as many creative lives as there ]]>